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October 20, 2006

On the Virtues of Typewriters and Pencils

Here's the thing with pencils and typewriters—they never go out of date, they never need updated software, and they never require virus protection.


Three years ago, I found I was spending a lot of my writing time making my computer usable. I had an iMac, of course, which was great, but for a portable I had an IBM ThinkPad, which seemed to have been steeped in a stew of viruses right from the factory. I got tired of jerking around with Windows, so I erased it and loaded on (per my friend Jason's suggestion) SUSE Linux. This worked well for a while, but then I discovered I couldn't network it to the iMac and was spending a lot of time emailing files to myself. There had to be an easier way.



There was. For computers, Alexas insisted (twist my arm, dear) that we scrap all the old ones and buy two brand-new Macs—an eMac and an iBook. So we did, and they're working fine. But as far as writing drafts of work, I wanted the speed of typing without the BS of computers, so I got an IBM Selectric III. If you’ve never typed on one of these babies, I urge you to seek one out and give it a try. A profound sense of solidity and competence emanates from these machines, and each letter you type bangs onto the paper with a reassuring snap, much like a rivet into a ship’s hull. But I digress.



The IBM Selectric III
My beautiful IBM Selectric III


The only rub with the Selectric was that it required power, so I decided to go even older-school and find me a manual typewriter. One day I was helping Jason (a notorious pack rat) clean out one of his 37 storage units, and we came upon an 80-year-old L.C. Smith & Corona. He gave it to me as “payment” for helping him, and I added it to my burgeoning collection.


Then, recently, the Smith & Corona began to fail (the period key stopped working), so I started thinking about another manual to replace it. I’d always loved the ones Hemingway used (Remingtons & Royals), and I must admit I liked the association, so I bought a Royal Quiet Deluxe from Mr. Typewriter. The one he sent me had the classic “Little Old Lady” story: it had sat in a woman’s closet for over fifty years, taken out only three or four times to type a letter. It was made before WWII, so it has about 10 times more steel than it needs, but I’m not complaining.


The Royal Quiet Deluxe
My equally beautiful Royal Quiet Deluxe

The main point about writing with typewriters is that they’re an anti-technology technology. For one thing, it takes considerable practice to type well on a typewriter—especially a manual, which you won’t be able to use if your fingers aren’t strong. This means that you need to write slower, and as a result you find yourself choosing your words more carefully. Also, since they’re only good for typing, there’s no email, porn or video games to distract you.


As for pencils, they may be slower (a lot slower, in fact), but they’re reliable. I also like the process of sharpening them. (Think of Special Forces soldiers sharpening their Bowie knives before a covert op.) If I’m working in pencil that morning, I’ll usually pull out a dozen or so fresh ones and sharpen them until the points could penetrate the hide of a shark. When one becomes dull, I move it to the back of the line and rotate them until it’s time to sharpen all of them again. For the record, like an expert wine taster, I’ve sampled just about every pencil out there, and if you’re searching for the perfect pencil, let me save you some time. The following are the three best (not in order because each one is great for its own reasons):


* The Mirado Black Warrior - Anytime they show a cup of pencils on a movie or TV show, these are the ones you see. Says Alexas, “They’re black, so they don’t stand out in a picture.” Besides being photogenic, the Black Warrior is round and won’t hurt your fingers during long writing sessions (they were Steinbeck’s favorite for this reason). Also, the lead, while not harder than other #2s, is more resilient, so you get fewer annoying breaks.



The IBM Selectric III

The Mirado Black Warrior,
Steinbeck's choice of pencil.




* Staples brand - Believe it or not, these are consistently good pencils. What’s better, they’re cheap. A box of 72 might run you four bucks. Although they’re the old-school hexagonal shape, the lead is nice and dark, and the erasers work well.


* Staedtler Noris ergosoft - Made in Germany, these are almost impossible to get in the U.S. When I first discovered them four or five years ago, Staples and other places carried them. Then, for some reason (either they weren’t popular enough or they were too popular, outselling the other brands), they suddenly disappeared. After going without them for a few months, I finally tracked down an obscure wholesaler out of Illinois that carried them and had to order a gross. But why do I like them?


The Staedtler Noris Ergosoft

The Staedtler Noris Ergosoft,
quality German engineering.



First, they have a triangular grip, so they’re ergonomic. Second, they have a rubbery coating that gives with pressure (soft), so your little fingies don’t get bruised. The lead is a rich black (although it breaks a little too often for my taste) and the coating has an aesthetically pleasing black & yellow design. The only downside to these pencils, besides their rarity, is that they don’t have erasers. If you never make any mistakes, you’ll be fine.


For more on pencils, you've got to see this website—a BLOG on pencils, with reviews: Pencil Revolution. Enjoy.

October 19, 2006

Back to the Office

For most writers, it's a financial fact: we don't make enough from our writing to pay the bills. Even if you have an amazing spouse like I do, expenses come up, life intrudes, making it necessary to go back to "work".


I'm going to an agency this morning to register for contract assignments doing technical writing, web design, or basically anything office-related that I can do well and that pays well. All I really want to do is continue to write, but I realize that sometimes God or Life makes us wait.


Since April, I've been submitting my latest novel to literary agents, and unfortunately none of them (in this round) took the bait. They loved the query and synopsis, which made them request the book, and EVERY one of them really liked the book. But...(there's always one of these)...something didn't "quite work for them". I managed to get read by several prestigious agencies, including Curtis Brown and William Morris, so no matter what, at least I can say that. Only about 1% of 1% of writers even get read by William Morris.


The thing that's maddening is that none of them ever agree on what they think is wrong with the book. One agent loves my PI, Dakota; another one thinks he's too rough. One woman agent thinks Svetlana is "too perfect"; a man agent says, "How can you not like Svetlana?"


My wife, Alexas, thinks (and I think she's right) that their rejecting the book is less a statement about the book and its quality and more a statement about their lack of confidence that they can sell it. Also—and this is pretty good advice for all writers querying agents or submitting manuscripts for consideration—if you're new and unknown, agencies are a lot more reluctant to take you on because you're not a "sure thing" for them.


One thing I've discovered is that there's a big difference between what some of them say in their books (i.e., the idyllic picture they paint of the publishing world—"Just write a good story and agents will beat a path to your door") and the reasons they give for not being willing to represent you. I understand how hard they work and how inundated with manuscripts they are, but sometimes I think the amount of CRAP they have to sift through on a daily basis has jaded them to quality material. That's my belief, anyway.


Don't get me wrong, I'm not quitting. It's not in me to quit. I've been working at this since I was 13, and I'm not about to put aside my dream now. It's just that I'm a little burned out. I've done everything I can think of, and I don't know what else to do. So, it's time to wait. Retreat into an office job for a little while and let God and the Universe take the reins for a while.


But, I shall return...

Dakota Stevens & Svetlana Krüsh—A Modern PI Duo

If you're a literary agent interested in my mystery novel, A REAL PIECE OF WORK, you understand that the one-page query letter requires us writers to leave out a lot of interesting detail about our characters and the worlds they inhabit. I'd like to take a moment to tell you about my detective, Dakota Stevens, and his brilliant & sexy sidekick, Svetlana Krüsh.




Dakota Stevens Investigations Business Card






DAKOTA STEVENS


Dakota is a former Special Agent with the FBI. During his 11 years with the Bureau, Dakota assisted in solving several high-profile cases, including the notorious Hagerstown Murders, for which he was nominated for a Service to America Medal.

In his work as a field agent, he investigated a broad range of Federal crimes including bank robberies, serial killings, computer fraud, missing persons and counterespionage. Dakota originally served as a technician in the FBI Lab, where he specialized in forensic serology and blood spatter analysis.

Dakota holds dual bachelor's degrees in biochemistry and philosophy from the Massachusetts Institute of Technology. He is a member of SOCXFBI (Society of Former Special Agents of the FBI), and NESA (the National Eagle Scout Association).

In addition to his abilities as an investigator, Dakota is a skilled outdoorsman, pool player and tennis player. Originally from the coast of Maine, he now splits his time between Manhattan and Millbrook, NY.


Random facts about Dakota:

Age: 35

Height: 6'

Weight: 190, solid

Looks: Distinctly American

Car: Cadillac STS, Raven Black

Home Address: 201 W. 77th St., NY, NY

Favorite Restaurant: Benihana, West Side

Hobbies: Tennis, tornadoes, Bigfoot, working on his Millbrook estate

Weaknesses: Redheads (women)




SVETLANA KRÜSH


Svetlana Krüsh is a semi-retired International Grandmaster under the World Chess Federation (FIDE). At her height in the mid-1990s, among women she was ranked #1 in the United States and #2 in the world.

Svetlana is most famous in the world chess community for being one of the first women to cross gender lines and challenge male world champions, including Anatoly Karpov and Garry Kasparov.

Born into Soviet-controlled Ukraine, Svetlana defected to the U.S. during a chess tournament. She holds a degree in computer science from NYU and has studied at several European universities including the University of London, the American University of Paris, and the highly prestigious Lomonosov Moscow State University.

Svetlana's multilingual abilities enable the firm to take on cases of international import; she is fluent in seven languages: Ukrainian, Russian, French, Spanish, Italian, German and Dutch.


Random facts about Svetlana:

Age: Late 20s - Early 30s (she's not telling)

Height: 5' 10"

Weight: Yeah, right

Looks: Stunning to the point of causing accidents; often mistaken for a certain Victoria's Secret model

Favorite Chess Piece: The Queen, of course

When Not on a Case, You Might See Her: At Chess Forum, on Thompson Street in the Village; at the Marshall Chess Club on 10th; shopping on Fifth Avenue

Weaknesses: Frozen boysenberry yogurt, blackjack, Queen's Gambit Declined, expensive boots—especially Dolce & Gabbana




THE OFFICE: 82½ E. 10TH STREET

82 1/2 E. 10th Street, NY, NY

82½ E. 10th Street, NY, NY
The building is owned by Svetlana's father, Oleksander.
Dakota Stevens Investigations is located in the basement.




Layout of Dakota Stevens Investigations

Floor diagram of Dakota's office.